Archive for the 'professional writing and motherhood' Category

Mother Writers (and Father Writers) Celebrated at New Pages

book covers2By Tania Pryputniewicz

Last year, Tanya Angell Allen contacted us about doing an interview in conjunction with an article for New Pages, published online today: Mother-Writers, Father-Writers and the End of a Literary Stigma. Allen looks at the challenges faced by mother writers, the fairly recent addition of father voices in relation to the subject of parenting and birth itself, and the growing number of literary magazines, publications, and on-line platforms devoted to the crossover of writing and parenting. And she addresses the changing ways we perceive work written by mothers. I can’t pass up the opportunity to celebrate both The Fertile Source and Mother Writer Mentor—both ventures Jessica Powers and I and this year’s guest poetry Editor Kate Bolton Bonnici maintain while juggling many other hats.

One of my favorite quotes from Allen acknowledges, “As The Fertile Source and its helpful editors (who also run the blog Mother Writer Mentor) exemplify, those involved in mother-centered literary publications seem to engage less in traditional competitiveness of editors and more in the spirit of collaboration and resource sharing that mothers naturally employ when talking with other mothers about child-related topics.” I also love Allen’s follow up line of thinking: “literary innovation and the building of community don’t have to be mutually exclusive.”  Jessica and I have had our share of conversations about how to get to our own work as we foster a spirit of generosity and reciprocity towards other mothers trying to also carve out time for their work. And at the same time, keep from sacrificing literary quality (either in work we write or work we choose to publish).

Women writers have the opportunity and responsibility to actively shape the writing community. Questions of quality of work will persist, but those questions stand to be balanced by questions addressing the quality of life and opportunities for connection and support women writers need in place in order to even get to the work they are trying to write. As any poetry editor will likely attest, one chooses a poem for publication based on a number of reasons (overall knock-your-socks-off wattage, one stellar line that keeps you up at night, or perhaps a unique vantage point). While I stand unequivocally behind all of our choices for publication, I admit I give a bit of extra weight probably to the last–range of vantage point—in hopes of reaching other mothers writing in isolation while grappling with the gritty particulars of birth, labor, nursing, deciding whether or not to have another child (for example, see Brittany Corrigan’s Guilt Poem: Unplanned, or her interview: Autism, Second Hearts, Mother Writer Retreats) or check out our interviews for a partial listing). I feel we attempt to nurture the spectrum.

“Why focus on birth and labor?” Esther Cohen (I met her at the summer 2011 retreat for A Room of Her Own Foundation) asked as we walked along the path at Ghost Ranch (first writing retreat attended since birth of my three children ages 10, 8, and 5 at that time). I told her that I believe if you draw attention to the power, beauty, and challenge of birth’s rite of passage it can lead to respect and reverence for all life. And renewed passion for exploring and bridging men and women’s overlapping spheres of experience in the hopes of creating a more compassionate humanity.

Thank you Tanya Angell Allen for persisting in writing up the interview (despite the tech setbacks we faced trying to live chat and record information and despite the children roaming underfoot as we spoke). In celebration, actually, of those little people roaming underfoot! For they are unwittingly reaping the benefits of growing up in the psychic field of actively writing mothers and the attendant inevitably messy but beautiful day to day matrix of inspiration, setback, and recalibration.

End notes:

We are still accepting enrollment for Poetry of Motherhood—class runs May 6-May 31st. (Access course description here: Poetry of Motherhood and Poetry of Fatherhood). I wanted to slightly amend Allen’s discussion about the interest we had in our Fatherhood course. As I poured through The Fertile Source for example poems to use as inspiration for our mother writers, I kept encountering powerful work we published by our father writers and realized we couldn’t help but offer both Poetry of Motherhood and Poetry of Fatherhood workshops.

Savvy Moms and Humor: The Team Behind “The Science of Parenthood”

Here’s what happens when the toddlers get old enough to climb the jungle gym and the moms they belong to share their creative aspirations out loud. And act on them. Together. Here’s an excerpt from an interview I conducted last week with humor blogger Norine Dworkin-McDaniel and her collaborative cohort social web designer and illustrator Jessica Ziegler; they discuss the genesis and joys of their humorous post card blog Science of Parenthood (sure to draw a chuckle from every parent).   –Tania Pryputniewicz

SOP Collective Pregnancy Unconscious FBNorine, you write in a deliciously humorous vein over at Don’t Put Lizards In Your Ears, a delightful blog about the adventures and misadventures of a “Late in Life Mom.” I noticed in your bio that you’ve written books about serious topics, Food Cures: Breakthrough Nutritional Prescription for Everything from Colds to Cancer, as well as about adult humor: You Know He’s Keeper, You Know He’s a Loser: Happy Endings and Horror Stories from Real Life Relationships. I’m curious to know your trajectory with humor. When did you first start writing in that vein?

I started writing humorous essays in high school. My first published story, ever, in my hometown (alas now defunct) newspaper, The Hollywood Sun-Tattler, was about a family trip to tour the western national parks when I was about 15. I am a city girl through and through, and three weeks of hiking mountains and looking at rock formations and water falls was sheer torture, so I wrote the essay “Plight of the City Girl” about how I only recovered after we got to San Francisco and I could run behind a city bus and breathe the exhaust.

I carried this “fish out of water” theme through the first blog I started about moving from New York City to live with my now-husband off-grid  in Las Vegas, in an isolated, rustic, solar-powered mountain house — Jessica used to call it The Bunker, with good reason. It was the perfect place to survive the apocalypse. Tons of humorous material there! Don’t Put Lizards In Your Ears carries that “fish out of water” theme into parenthood.

How did you come to collaborate with artist Jessica Ziegler in her words, “CEO of Scribbles,” to create your collaborative postcard blog at Science of Parenthood (with great tagline: “because raising kids defies all reason, logic and most of the laws of the universe”)?

So glad you like the tag line! It’s so true, really!

So how’d we get started? Late last year — it was December 30th actually — I had this idea to bang out a gift book for Mother’s Day. I’d been collecting these “science-y” observations about parenthood for a while and suddenly realized I was having a lot of fun writing them and that I’d amassed a bunch. I figured if I came up with some more, I’d have enough for a book. But I knew I needed illustrations to really make the book pop. And for me there was only one choice: Jessica. More than anyone, I knew Jessica would really get the concept. She’s done all of my illustration/web work for years.

We’ve been friends for a long time and, more important, we have a really good time working together. We are both pretty creative people, but we are exponentially more creative when we put our heads together. I was so jazzed about this idea I called her as soon as it was late enough in the morning Denver time that she wouldn’t be mad at me for waking her out of a sound sleep. Not only was she totally on board, she saw the enormous potential for the concept to be bigger than a single gift book. She saw the blog, the community, the product lines that we plan to develop as we grow. Literally, within minutes we were in business. Two weeks later we posted our first image on Facebook. Two weeks after that, we rolled out the blog. A few weeks after that, an agent came knocking — Agnes Birnbaum of Bleecker Street Associates. We now have a book proposal based on the blog in submission. We’re still amazed that it all came together that quickly.     Read more here.

 

Norine Dworkin-McDaniel is the creator of the humor blogs Science of Parenthood and Don’t Put Lizards In Your Ears. She writes nationally on parenting, women’s and children’s health and relationships. Her articles have been featured in More, Health, Parents, American Baby, Shape, Prevention, Redbook, Family Circle and on the Lifescript and iVillage websites.

The co-creator of Science of Parenthood, Jessica Ziegler also works as director of social web design for Vestor Logic and Trail Sherpa. Her illustration work has appeared in The Hartford Advocate, Las Vegas Life Magazine, Las Vegas Weekly, and online at VEGAS.com. She’s also written and illustrated five customizable children’s books, available at StoryTots.com.

 

Celebrating International Women’s Day with VIDA’s Her Kind

her kind logoBy Tania Pryputniewicz

“…it gradually dawns on the individual that Chi/Ori is the mother within—a  treasure, always beautiful, always precious, always dependable, always already there…” Chikwenye Ogunyemi, from “Chi/Ori, or the Mother Within”

In celebration of International Women’s Day, we’d like to point you to a site that actively nurtures an ongoing dialogue between women writers across cultures and backgrounds: Her Kind: A Blog Powered by VIDA: Women in Literary Arts. I hope you’ll also take the time to read VIDA Count 2012: Mic Check Redux (published four days ago) in which Amy King not only discusses this year’s count in relation to years prior, but sheds light on VIDA’s tangible effect on a number of publications now making strides towards reviewing and including more women writers.

VIDA’s Blog, Her Kind, only recently appeared on my radar when I was invited to converse with poet Robyn Hunt. In the able hands of curator Arisa White, Robyn and I were given a selection from an essay written by Chikwenye Ogunyemi titled “Chi/Ori, or, the Mother Within”. I’d like to share that opening passage with you here in hopes of eliciting your answers as well:

“From a literary perspective, Chi as inspiriting muse gives the writer the courage and determination to institute, identify with, or counter a discourse. Traditionally, it is the mother who teaches the child to express the self in words and to develop the tactics to cope successfully in conflict, hence the primacy I accord the Chi as mother.”

Arisa asked us: “Was your mother (or a mother –figure) your Chi?”

You can read our answers here: Fierce Commotion: A Conversation With Poets Robyn Hunt and Tania Pryputniewicz. But of greater interest to us at Mother Writer Mentor would be your comments about your own experience of what your mother passed on to you when it comes to your muse. Please do comment.

Other recent conversations and posts on Her Kind that delve into the relationship between motherhood and writing:

My Writing Projects Will Wait…(by Eliza A. Garza)

Mammy Never Gets Anything for Mother’s Day (by Patricia Ione Lloyd)

She Comes to Look at the Shape of her Future (by Olivera Jokic)

“Beyond this point there be dragons”: A Conversation with Eula Biss, Suzanne Buffman and Lisa Olstein

We Are Our Mamis’ Creations: A Conversation with Dianna M. Perez, Aida Salazar, and Vicki Vertiz

Additional Notes:

Visit former Sarah Lawrence College professor and writer Chikwenye Ogunyemi’s site for more information about her books which include: The Twelve Best Books by African Women (2009, Ohio University Press) and Juju Fission Women’s Alternative Fictions from the Sahara, the Kalahari, and the Oases In-Between (Society and Politics in Africa) (2007, Peter Lang Publishing).

 

 

Which Self Am I Now? By Sheila Hageman

Photo of Author Sheila HagemanEditor’s Note:

We first came to know Sheila through her poetry, published here at The Fertile Source, as well as via an interview Yoga, Body Image and Motherhood vs. Stripping, about her poems, motherhood and her book in progress at the time, now out under the title, Stripping Down (February 2012, Pink Fish Press). When I asked Sheila to guest post for us, I asked her one of our usual questions: how are you balancing motherhood and the birth of the book? Her response provides exactly the kind of honest mirror we strive to provide for our readers. Enjoy–Tania Pryputniewicz

Which Self Am I Now?

By  Sheila Hageman

 

Cut me some slack, life! I’m still trying to integrate all my selves over here.

Oh, I’m sorry…that was just me talking to my self, well—my main self, you know, the one that’s really me. The one I want to be—or am, I mean.

Let me explain…

It’s been nine months since my memoir Stripping Down was published. It’s been an incredible experience that I wouldn’t trade for the world (insert other happy clichés here as you please).

The only problem would be that having my baby published has not solved all my issues or made me a fully loving and lovable human being.

Did I really think there was going to be some kind of magical transformation of myself as I became an author as opposed to a writer? I have no problem admitting that—yes—yes, I did.

I have this habit of thinking the next great thing is going to cure me of my depression and finally make everything OK, but oddly, it hasn’t happened.

My memoir is the story of my coming to terms with my body image and self through reflections on my past experiences as a child, a stripper, a mother and a daughter. See how I label all my selves separately like that? It’s what I do—and what I’ve done apparently for a long time.

As a memoirist, I do tend to look for the answers or causes to present day stuff by revisiting the past, so it should come as no surprise that I’m in therapy.

So just when I think I’m finally all healed and good my shrink has to point out the obvious: I have problems integrating all my selves. Like, right now in my life I separate myself out into mother/writer/wife.

And heaven forbid if someone needs me when I’m wearing a different hat.

When I’m writing—I’m writer. And the problem seems to be that I really like writing most of all, so when my kids need me, I get upset and angry.

OK, but why?

Because I didn’t always get my needs met when I was a child. Because I split myself up into these different selves to keep myself safe and keep anxiety and fear at bay.

I created my writer self early, when I was only learning how to write. Being a writer kept me safe from a world I felt afraid of. When I was writing, I was safe. It was just me and my words.

When I was a teenager, I created this other self: model/actress. And what was so awesome about her was that she wasn’t real! I got to play make-believe and totally be someone else.

At eighteen, I became a stripper, but again, it wasn’t me. It was just a role I was playing. And this is where I think the split deepened, got more dangerous.

My selves became so disparate that my mind really lost a grip on who the real Sheila was anymore.

Now what does any of this have to do with having my book published?

I think I’m just realizing that no matter what amount of success I have in this, my original “role” of writer, I will still always be a little girl hoping my words will keep me safe somehow.

Maybe that’s really it—when my children pull me out of my safe place, the place where I’m all alone and in control of my destiny—I relive myself as a child, having needs, wanting the picture-perfect family that I didn’t have. And I get fearful for my self as a little girl, clinging to words to fill a void.

But here I am, as a mother of three small children. I agreed to be here for them when I became their mother. I agreed to meet their needs. And the more clearly I recognize where my issues arise from, the closer I feel I am to welcoming that one true Sheila home.

 

Sheila Hageman is a multi-tasking wife and mother of three who blogs for The Huffington Post. Her memoir, Stripping Down, February 2012, from Pink Fish Press, is a meditation on womanhood and body image. Her Decision-Making Guide and Self-Discovery Journal, THE POLE POSITION: Is Stripping for You? (And How to Stay Healthy Doing It), Every Day Create, December 2011, helps women to further value their own identities through their quest to understand their motivations for stripping. She received her MFA in Creative Writing from Hunter College, CUNY, where she also graduated as valedictorian with her BA.  She is a Yoga instructor and teaches Writing at Housatonic Community College.  She has work in many anthologies and magazines including Salon, The Fertile Source, Prime Mincer, and Foliate Oak Literary Journal. Sheila has appeared on numerous radio and TV shows including The Today Show, ABC News, NBC News and Anderson Cooper.

 

Mother Writer Mentor’s November Blogging Course for Writing Mothers

pregnant belly and white tulipIf you are among the fortunates blessed with a lifelong love for writing and you happen to be a mother trying to balance your topsy-turvy world of raising infants, toddlers, tweens or teens, consider joining us at Mother Writer Mentor this coming Monday, November 5, for a month long gentle blogging class in the company of other writing mothers (sign up here under our poetry workshop tab).

As a mother of three children under the age of twelve, I know well the dual pull to “mother” and the dual craving to write. In the wake of raising my three, early on not only was my body under the physical state of daily dissembling that occurs under steady nursing, but my mind followed suit, hazy and fragmented, hovering near perpetual thresholds between sleep and waking life. I wouldn’t trade those hours today (a form of fertile reverie to be mined later), but at the time, I felt vaguely alarmed as if under threat of near vaporization.  I needed to reach for some kind of solid ground outside of myself.

As a form, blogging offers a malleable structure for writers. You set the deadline, you set your pace, your subject, your scope, and move where you will. Blogging can be as formal or informal as you wish but offers the tangible anchor of “a room” you return to you again and again in which you leave behind an accretion of moments in time.

I first learned about blogging from my sister-in-law, Maria (and my brother), who mentioned a blogger ingeniously using the handle the Yarn Harlot . Maria, an amazing knitter, likely marginally tired of weathering my ramblings about losing connection to my former writing life, explained the niche beauty of blogging and plunked me down in front of the computer, showed me the Yarn Harlot’s page (at that time sporting the image of the book blogger Stephanie Pearl-McPhee had written based on her yarn blog–she since has authored 5 or more books), and stood behind my chair until I had signed up for my account on Blogger.

Now go…” Maria said with her characteristic irreverent and loving commanding tone great for setting one’s world irreversibly in motion. I wrote my first entries with my writing desk butted up against the bed where my third nurser slept. My psychic world of mothering and my laptop converged in a hazy milky swill where the tapping of the keys threatened to wake my little guy. Over time, as the three children grew past the kneecaps, the blog (Feral Mom, Feral Writer) grew on me and I looked forward to crafting one or two paragraphs to timidly post and loved the tiny professional deadline I could set.

Join us–we can, if nothing else, correspond as you log on when you can. If you manage to draft up a blog post, fabulous. If you don’t, you can keep the “assignments” for another time. The kids come first, but we can find a way to nurture the writer in you as you mother. We will do some basic writing and subject inventories and look at which aspect of subject you might want to cover in your blog.

I’ll close with a secret…blogging is writing…of any form, either happily shaped to live on your blog, or reshaped later if you so wish. Want to write haiku? Check out Peggy Christian’s blog Backwoods and Beyond: A Montana Naturalist Takes to the Woods (Peggy was in one the first blogging course I taught last summer through Story Circle Network). Marlene Samuels, also in that first class, blogs about food and recipes here. She also wrote a guest post for me over at Feral Mom, Feral Writer titled, “Counterpoint to Tips for Mothers Pursuing an Online PhD. Both of these bloggers have grown children and served to inspire me towards a future time when my psychic horizons might open up again as theirs have (children fledged).

Or stop by Lisa Rizzo’s blog Poet Teacher Seeks World . We first posted Lisa’s poems covering the choice to forego motherhood (though she mothers dozens of children, year after year, as a middle school instructor) at The Fertile Source.

And if you haven’t already done so, check out some of the blogs of our past Mother Writer Mentor contributors: poet Liz Brennan’s Blog Perhaps Maybe: Perhaps maybe isn’t such a bad word. Maybe perhaps is; last week’s MWM post author,  Kenna Lee, blogging at: a million tiny changes: mothering in a changing climate, or poet Alexandria Peary, blogging at Your ability to write is always present: A blog devoted to mindful writing and overcoming writing blocks.

And if you are merely passing through, a writing mother yourself, send us a post about how you manage to blog and to mother, or how your blog and motherhood interact. We’d love to hear from you.

Writing Through to the New Balance

Cori McCarthy and son MaverickThis week’s guest post comes to us via Cori McCarthy. Cori earned an MFA in Writing for Children & Young Adults from Vermont College of Fine Arts. Her debut novel, a YA space thriller entitled The Color of Rain, is forthcoming from Running Press Kids in May 2013. You can follow her tweets @CoriMcCarthy, Like her at www.facebook.com/authorcorimccarthy or check out her website at www.CoriMcCarthy.com.

Before the birth of my son, Maverick, I did two things with 90% of my time: I slept and I wrote. And as the wife of a historian/professor/author, we lived this tandem existence so very happily. Having children sounded like the next best step, and as we told each other, we have unique, flexible schedules. This will be easy. We won’t even have to use daycare.

You know where this is going, don’t you?

My son was born mid-step in living up to his name. He was wonderful, albeit colicky, and never, ever asleep. And when he was only six weeks old, my first novel went out to editors while I was still recovering from his traumatic birth. I have it all, I thought as I received an offer from Running Press Kids. Triumph! I’m a mom and an author. Two of my dreams came true in less than two months of each other.

But the honeymoon period of being a brand new mother and author wore off in a blur of endless daysweeksmonths of no sleep. My son was in a lovely habit of getting up every two hours all night long, and instead of bowing to the adage of “sleep when the baby sleeps,” I struck out each morning to the coffee shop – sans the coffee – and wrote. My friends were stunned. How do you write 3,000 words a day with a small baby?

 Huh?

 The question stumped me because I couldn’t imagine not writing. Okay, so I’d lost my prized second love of sleep, but I would never ever give up my stories. I needed them. They were all that kept me from succumbing to complete exhaustion, and I didn’t quite know it yet, but I was self-medicating, staving off depression with words.

 Writing and being a mom became my new 90%. And with one foot in each camp, I kept pushing myself. I finished a brand new YA novel while my son began to roll all over the place. And I was so tired and invested in my protagonist’s mind that I all but missed it.

 But this imbalance wasn’t apparent to me until I came home from the coffee shop one day, finding my husband on the floor with our son, playing with blocks in one hand and typing with the other. I melted into tears. How did he do both at the same time? And what else was I missing in driving not only my body to the coffee shop every day, but my mind into a fictional world?

 Where in the blazes is the balance between the two? I was desperate, and I did what any sleep-deprived mother might do: I sat my six-month-old down at three in the morning and asked him. What’s going on? Why aren’t you sleeping?

 “I’m a night owl, Mom,” he seemed to blink at me. “Just like Dad. But you know that scene that you’re having trouble sorting out? Why don’t we talk about it if we’re both not going to sleep?”

 That’s when I figured out that, like his father, my son is a genius. Although I may never be able to write in the same room with him, he can hear my stories. He can be part of my creative process. He can be the fulcrum, instead of just one side of my scales.

 Now I’m working on stories for him, ones which make our stroller walks ridiculously fun because I’m no longer splitting up writing time on one side of my life with being a mother all the way on the other. It’s a new balance, but one which excites 100% of me and makes the (still somewhat) sleepless nights a survivable affair.

 Although, I am pretty sure that the other moms on the playground steer their children clear of the woman who acts out stories for her son while she pushes the swing.

 

Teaching Jess History

This week’s guest post comes from Becky Cerling Powers, J.L. (Jessica) Powers’ mother. In this post, Becky discusses how she set about mentoring her young daughter’s writing talent.

Powers is the author of Laura’s Children: the Hidden Story of a Chinese Orphanage, which has also been translated and published in Chinese, and the compiler and editor of My Roots Go Back to Loving and other stories from “Year of the Family.” She has published over 1000 parenting columns and family interest features in newspapers, magazines, and regional parenting publications, including the El Paso Times, El Paso Scene, The Clinton Herald, Home Life, Grit, Space Coast Parent, and Inland Northwest Family Magazine. Becky homeschooled her three children through high school and worked as a teaching artist for the Ysleta School District in El Paso. She is the creator and presenter of the Family StoryPower Writing Workshop, a family literacy project in the public schools that shows parents and extended family members how to work with their children on family story writing projects. The workshop also gives adults practical tips for encouraging children’s writing at home. Becky has been teaching creative writing workshops for K-12th grade home school, private and public school students since 1986. She lives with her husband Dennis in Vinton, Texas near El Paso, and blogs at StoryPower: bridging the generations through story.

 

 

A week or so ago our daughter Jessica told me that a publisher had expressed interest in her new YA novel project, a story set in Somalia. The publisher wants YA international historical fiction in modern wartime settings. Jessica set her story in Somalia because there is a large population of  Somalian refugees in the Bay area where she lives that she can interview for background.

As she related her storyline, I felt a surge of déjà vu and by the time we hung up the phone, my mind was on a fast trot down memory lane. Jessica’s first YA novel was set on the border of Mexico and Texas, her second YA novel was set in South Africa, and now she’s working on one set in Somalia. Her writing career is becoming a repeat of what we did in home school! I thought: Pick a time period, spin the globe, choose a spot, and start researching to write a story set in that time & place.

We started homeschooling Jessica when she was 10 because she had lost her curiosity and her creative spark in public school, and because she was begging to be homeschooled like her little brother. Fortunately, at the outset of our adventure I read good advice about homeschooling a child burnt out on classroom-style learning. The advice: plug into your child’s passion. Start where she finds delight, and from there guide her into broader fields of related study. Use the momentum of her delight in doing what she loves to help her climb the hard hills of subjects she dislikes.

Jessica’s delights were literature in general, historical literature in particular and writing. At 10, she read every book in Laura Ingalls Wilder’s Little House series and decided she wanted to write books like Wilder. I scheduled our school days to complete academic schoolwork by noon and leave afternoons free for the kids to pursue their special interests. Jessica usually used her free time to read and write novels.

At the time, I was publishing parenting columns and family interest features in our local paper, the El Paso Times. That helped us both, I think. Jessica was reading my published work and hearing her friends’ parents talk to me about things I’d written. Sometimes people would even talk to her about things I’d written. Those experiences made publication seem attainable (if Mom can publish, so can I someday), and it also made her take my writing suggestions more seriously.

The heroine in Jessica’s first story was a young girl trying to help slaves escape through the Underground Railway. For a while, she became absorbed with the Civil War era, looking up encyclopedia entries and searching out biographies and novels set during that time period.

Then she read Corrie Ten Boom’s The Hiding Place and became fascinated with World War II history. And so it went from 5th through 12th grade.

Jessica’s passion for historical research and writing persuaded me to take a radical approach to her history studies. After our first year of homeschool, I jettisoned the use of history textbooks except as reference materials for Jessica’s writing projects. From then on, her history courses consisted of reading historical novels, then researching and writing historical stories of her own. I figured that reading a wide variety of historical novels and stories was helping her develop a more vivid sense of various historical periods than she could acquire by reading textbooks. And trying to write historical fiction herself cemented the information in her mind. So Jessica would choose a historical era that fascinated her, and then we’d spin the globe and choose a place on earth for her to research as a basis for a story.

I made no attempt to keep up with all the reading she did. I gave no tests or lectures. I just tried to be attentive and responsive—paying attention to Jessica’s interests, listening, asking questions, sharing thoughts, affirming her work and ideas, making suggestions (usually offhand) and giving her tools for learning on her own. On our long walks we sometimes discussed her characters and plots. I was researching and writing a narrative nonfiction book myself at the time (although I could only work on it during summer breaks) so Jessica and I had a lot in common to share and discuss. I tried not to overwhelm her with writing critiques, although at times I’d say, “I’d let this go for most kids your age, but you are a really good writer, Honey. You can stretch and do even better. So I’d like you to think about this, that, or the other…”

When Jessica was 15, one year before she left for the university, I assigned a U.S. history textbook and a world history textbook for her to read to help fill in any missing gaps in her over-all knowledge of history and to give her a mental timeline for all the historical information she had acquired through reading and writing.

Then off she went to college, where she outgrew me as a mentor. That’s one thing I’ve learned about mentoring. A good mentor gets outgrown. The mentee graduates to independence and after that, in the best of worlds, she becomes a colleague. Today I’m grateful for the invaluable help Jessica gives me with editing and marketing.

But while I’m here in memory lane, looking at the path that Jessica and I took to arrive at where we are today, I have to ask myself: how did I get to that subversive place where I was willing to risk throwing out conventional ways of teaching history? Where did that come from?

I think it started with Ruth Mead. Ruth was our neighbor in Germany when our first child was born. She was a dozen years older than me, had four kids and was trying to write a book. And she gave me the best parable for reflection I ever ran into for approaching kids.

As the youngest of 13 children, Ruth had the chance to watch a parade of brothers and sisters raise their families before she started raising hers. She told me her siblings viewed their kids as lumps of clay to be molded and formed, but she thought they were using the wrong mental model. Instead, she thought that when God gives you children, He is giving you a Mystery Garden. Your job is to find out what is growing there and cultivate it. So to Ruth, her four kids were little plant sprouts, and her first task as a mother was to find out what kind of plant each child was. Maybe one was a climbing rose, and another was an apple tree, or a field of onions. Her second task was to provide the best growing conditions for each kind of plant in her garden – the best possible environment for each particular child to grow and flourish.

Ruth and I both moved a lot for several years, and eventually we lost track of each other. So I have no address to write a thank you to my old mentor – who never became a colleague but whose words profoundly influenced the trajectory of my life. This blog will have to do: thank you, thank you, Ruth.

 

The Importance of Friends

by J.L. Powers

Like most women, I’ve always enjoyed close, personal friendships on a number of levels. After I became a professional writer, I floundered in the sea of published writers–wanting to become friends with some of them but not knowing quite how to do it. I still felt like a fraud, even with a book coming out from Knopf. Writers need other writer friends–when you become published, it’s even more important because it’s all part of staying in the business, marketing yourself, finding and keeping contacts. But I kept wondering, Why would they want to talk to me? I felt shy approaching other published writers. Occasionally, when I did reach out and the response was what I expected (this attitude of “well, you’re not part of the clique of cool writers, and I’ve never heard of you before anyway, so I don’t want to bother with you”), it made it that much more difficult to keep trying.

So in the five years since my first novel came out, I’ve spent lots and lots of time in front of my computer screen, perfecting the art of writing, and only occasionally doing the other part of being a writer, which involves going to literary readings and hanging out with other writers, making friends and, at the same time, networking.

Since my son was born, it’s been that much more difficult to get out and about. With the limitations on my time, the computer beckens ever more seductively.

Thankfully, there are people like Tania Pryputniewicz in my life. Tania is the other half of Mother, Writer, Mentor and also The Fertile Source. On Tuesday, she and I each drove an hour one way, kids in tow, in order to get together. We met at a park and while the kids played in the sand and on the swings and with pine cones, we talked about the writing life, our editorial vision for The Fertile Source, and plans to enhance the Mother Writer Mentor experience. We swapped links and emails of important contacts. We compared the dark circles under our eyes and comforted each other that the exhaustion that accompanies a life which combines art and motherhood wouldn’t always be our lot in life: the kids grow up and it gets easier.

Thankfully, there are people like Emily Jiang in my life. Emily is finishing up several novels and currently shopping for an agent. Someday, she is going to easily fit into that circle of cool writers, and hopefully, I’ll get to tag along. Last Friday afternoon, I called her up. I had arranged for my husband to watch our son that night so I could drive to San Francisco and attend a party celebrating young adult writers in the Bay Area at Not Your Mother’s Bookclub but I was chickening out. Maybe I should work instead, I told Emily’s answering machine, or maybe it’s just too much of a hassle…Really, I just get shy sometimes, I suppose. I’ll go if you go, I said and then hung up. She called me back. “You should definitely go,” she said. And then she came too. And in the end, I was glad I went. I only talked to three people, but two of them are YA writers I know and like and respect and we made plans to get together again.

Thankfully, there are people like Nancy Bo Flood in my life. A grandmother now, and a writer with several books out, Nancy encourages me to be the pioneer–to navigate that uneasy ground of being a professional writer with a child. Her encouragement has been pivotal in my determination to take Nesta with me to conferences, including a writing retreat.  And I’ve been grateful to her for that support and for being a sounding board for how to be fully a mother, fully a writer, and to do both with integrity and with respect for the people around me. It’s no good to bring my child along if he disrupts other people’s experience.

Thanks to all those mother-artists who have trod the path before me and can share their friendship, support, and nuggets of wisdom.

Forthcoming Poetry and Blogging Workshops offered through Mother Writer Mentor

By Tania Pryputniewicz

The successes of women writers — in respect or readership and whether they have children or not — help other women writers make a claim for the need for time.  –Julianna Baggott, as interviewed by poet novelist Jennifer Givhan

I came across the above interview with Julianna Baggott this week on She Writes (poet novelist Jennifer Givhan interviews this talented writing mother of four). Baggott gives practical advice for mothers wishing to stay connected to their writing and sheds light on the often touchy subject of equal time (as batted about by couples with children) which she cleverly refers to as “The Kitchen Debate,” a debate I’m ever engaged in with my mate in terms of my personal and professional writing life.

Baggott recommends writing retreats—and I second the motion. Even half day or day long retreats offer inspiration and respite and can provide powerful directional nudges…and open doors. In 2009, I left my three children (4, 7, and 9 years old at the time) with my husband for the day to attend the Women on Writing Conference in San Bruno, California. One panel speaker encouraged audience members to work on the three legs of a healthy writing career: editing and promoting the work of others, committing to a regular writing schedule of one’s own, and teaching, if possible.

Attending A Room of Her Own Foundation’s 2011 summer retreat (a full week at Ghost Ranch! imagine! the first time I’d been away from my children for so many days in a row) turned out to be a threshold experience and lead to a number of projects, including the AROHO Speaks: Writer to Writer Interview project, a collaborative effort to mine the experiences and insights of writers attending the retreat. I’m not only bolstered and moved by the connections and the process I’ve been privileged to witness, but feel myself growing professionally in ways I never could have grown on my own. The women writers I’ve met at retreats I’ve attended have exhibited such generosity of spirit.

I’ve received much tangible support this past year during my transition from raising the children at home (the last ten years) to the more public sphere of monetizing my writing life. I started on-line teaching this past January (after years of classroom teaching and after the ten year hiatus to raise the children) thanks to leads from new found writing friends I’d met at AROHO’s retreat. This kind of hands on support can’t be replaced, nor applauded enough, and it goes back to the opening quote by Baggott, that indeed…”the successes of women writers — in respect or readership and whether they have children or not — help other women writers make a claim for the need for time.”

Before I announce this year’s classes, I would love to hear from you—how have you transitioned from raising children at home back to work as a writer, and what practical help you found for transforming your writing identity? Any practical mapping help for monetizing your writing life?

I’m happy, and proud, to offer this year’s line up of poetry and blogging workshops I’ll be teaching this coming year on-line at Mother Writer Mentor. All of our workshops are open to all levels of writing:

Around The World in 30 Days: Reading and Writing the International Poetry of Motherhood and Fatherhood: September 10-October 5th, 2012

Transformative Blogging for Writing Mothers: November 1-November 30th 2012

Send Me a Letter: Love Poetry for Couples Recovering from Parenting: Jan 8th to February 1, 2013

Excavating and Writing the Poetry of Motherhood: April 1-April 26th 2013

Excavating and Writing the Poetry of Fatherhood: May 6-May 31st 2013

To sign up or to read full course descriptions: Mother Writer Mentor Classes.

Stop hiding….start asking

Last week, I was lucky enough to spend 7 days revising a manuscript at the Highlights Foundation Whole Non-fiction Manuscript Revision Workshop. The Highlights Foundation is located just outside of Honesdale, Pennsylvania; they regularly offer workshops for writers of all genres. I took my 19 month old son and my mother came along to watch him while I worked. (Family has been an essential strategy for me in keeping my writing going. While neither my mother nor my mother-in-law live nearby, they have both travelled to watch Nesta while I worked.)

This post is kind of a plug for the Highlights Foundation. The reason I’m plugging them has everything to do with my role as a writer and a mother. When they accepted me into the Non-fiction workshop, I wrote to ask if it was okay for me to bring my son and my mother as babysitter. I’ll admit, I assumed that I would hear something like, “Oh, sooooorrryyy, we are not equipped to deal with your family as well as you. We hope you can still come but you’ll need to leave your son behind.”

I didn’t hear anything of the kind. First I got an email, saying, “Bring your family and work hard and don’t worry about it.” Then when we arrived, my mother, my son, and I were greeted by the director with a warm hello and a, “So this little guy is going to help me in the garden?” Throughout our stay, every single person at Highlights was kind, thoughtful, and welcoming of my son and my mother. I had brought a car so that my mom could take Nesta to town or for excursions but he ended up being happy playing in the sandpile in front of our cabin. We did find that it was best for my mom and Nesta to take their meals in their room rather than join everybody–it was harder for me to have conversations with the other writers if he was around and wanting my attention.

As parents who write, we often feel like we have to separate our parent identity from our writer identity. We assume that this or that conference or writing workshop or other writer activity won’t work for us because our children are too young or too gregarious. We assume that our writer side is welcome but our parent side is not. We assume that people are fine if we writers have children but it’s more polite to hide them. But I think we should stop assuming and start asking. While I doubt Breadloaf will be welcoming writers with small children anytime soon, I could be wrong. In fact, maybe they have in the past….I’d love to hear otherwise.




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